Louis came to photography a few years ago - not with a fixed agenda, but with a desire to pay attention differently. Trained in psychiatry, where listening is central, he uses the camera as another form of attentiveness: one that resists explanation and refuses easy resolution. He’s drawn to subtle gesture, quiet tension, and the charged atmosphere of a moment just before it becomes understood. Louis stays long enough for his presence to recede, photographing from within a scene rather than from its edges. His work embraces ambiguity, favouring the unresolved and the incomplete as something deeply human.